Holly Anderson's THE NIGHT SHE SLEPT WITH A BEAR is like visiting an alien country you think you remember
THE NIGHT
SHE SLEPT WITH A BEAR by Holly Anderson (Publication Studio, Portland, OR) is like visiting
an alien country, you think you remember--from dreams you might have forgotten. It’s a novel-like fiction made up of
mesostics and flash fiction. I checked Wikipedia:
A mesostic is a poem or other typography such that a vertical phrase intersects
lines of horizontal text. It is similar to an acrostic, but with the
vertical phrase intersecting the middle of the line, as opposed to beginning
each new line.
The practice of using index words to select pieces from a
preexisting text was developed by Jackson Mac Low as "diastics". It was used
extensively by the experimental composer John Cage (Walsh 2001).
The Night She Slept with a Bear also comes with
music by Chris Brokaw on itunes. And
since the fiction resembles a musical composition, with themes repeated and
intersected, it’s probably a great
addition. Here’s the beginning, which
gives you an idea of fragmentation that’s getting at something, but you’re not
sure what exactly. Like much poetry, you feel the emotional
weight of the images. Meaning sifts through, though you may not be able to
articulate it. What I couldn’t reproduce are visual images that act as counterpoint, maps, a compass, wilderness, outlines of static that resembles weather. It’s the logic of right brain
thought. An internet definition of that: "The right half deals with a
task on an emotional level, being perceptive and often fantasy-oriented, while
having an affinity to taking risks."
I couldn’t find a better way to explain THE NIGHT SHE SLEPT WITH A BEAR. Layers of fantasy have eternal themes, death, sex, redemption, aging, time, childhood; what it’s like to inhabit a human body on a planet, are explored obliquely though Anderson’s unnamed heroines. Here’s a sample:
I couldn’t find a better way to explain THE NIGHT SHE SLEPT WITH A BEAR. Layers of fantasy have eternal themes, death, sex, redemption, aging, time, childhood; what it’s like to inhabit a human body on a planet, are explored obliquely though Anderson’s unnamed heroines. Here’s a sample:
The
Theory of Everything
They’ll re-purpose her car. Doesn’t
matter. Doesn’t have a whiff more gas
anyway so she’s sleeping underneath it
right now. Sleeping off this
poisonous sun that makes her see
triplicate. She snuffles. She snores
lightly. Jiggles her brake foot once in
awhile.a I’m trying to
observe
everything clearly, take notes and hope
to hell I can figure out what’s
going on. By now I’m officially missing.
We’ll have to hoof it soon enough.
She’s waiting for darkness and regular
vision to return. She describes it
as two bull’s-eyes sliding back into
place. Sight realigning with a
registration so precise it has a nearly
audible ‘click’. She does go on
about her vision problems.1
She also goes on about rogue planets and
errant propagation in computers.
Did I know anything about that? What
about the fruits, flowers and
fish we’ve lost for keeps?2 Sonar signals and
the tyranny of ringtones,
electric force fields and genetic
mutation. Naval Jelly. Cast iron pans.
String Theory and her favorites —
’gluons’ and ‘neutrinos’. Her version
of String Theory makes it sound like
everything’s colliding all the time in
a huge net shopping bag of vibrating
strings. That there are many more
dimensions than we have a clue about. .
a. Recipe For Returning
Drive an old green Buick across a
frozen strait with stolen bottles
of Bordeaux, a sack of rice, a
sack of beans, slabs of smoked
lake fish and a box of books.
Find a cabin. Don’t get out of
bed for a month. Then cut all
your hair off and wander the
daylight hours until your feet
bleed in your boots. When the
ice moves out in the spring it
will sound like gunshots. You’ll
be awake on moonless nights
and the ice will thunder and
boom. The ice will cleave and
branch black and run for miles
under the grainy snow. This will
fix you up. All that emptiness,
all those blue shadows of crusts
and drifts. The sky will wave rags
dipped in stars and you’ll wave
back. In the spring you’ll take
the ferry to the mainland. And
you’ll be back. To your self.
Strange territory, not really. How do brains process experience? How do we make sense or just find some way of
labeling what we call life? I suggest BEAR to all who want an adventure on page or ipad or iphone that doesn’t reflect the “naturalistic” forms of mainstream media.
http://www.publicationstudio.biz/books/186 for publisher. The Night She Slept With A Bear is also available as an app https://itunes.apple.com/us/app/holly-anderson/id582089103?mt=8 Both book and app come with music by Chris Brokaw [
http://www.publicationstudio.biz/books/186 for publisher. The Night She Slept With A Bear is also available as an app https://itunes.apple.com/us/app/holly-anderson/id582089103?mt=8 Both book and app come with music by Chris Brokaw [
S.W.
This is truly wonderful writing!!
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